Season 2

Host Joana P. R. Neves uncovers the richness of new perspectives on contemporary art through the ethos found in podcasting. Joana also shares insights from her attendance at the International Women Podcast Awards, highlighting the non-hierarchical nature of the podcasting community. Looking ahead, she teases new formats and changes for the upcoming season, while opening up about the need for engagement. → Stay connected to the Exhibitionistas flow, SIGN UP ⁠ to the Newsletter–or to my Substack . → Do you want to support our third sea...

Gallerist Sarah Le Quang Sang showcases and promotes female and queer artists, fighting, one step at a time, to reduce the price gap between genders, the lack of LGBTQIA+ representation in archives, collections, art fairs and private collections, but also the linear conception of artistic careers. You wouldn't leave the shop without paying for your latte, right? Buy us a ⁠ latte ⁠ ;-) How empowering can the #artmarket be? How can a commercial gallery push boundaries? Be more inclusive? And what are the intersections between collectio...

Contemporary art is a feast for the senses. But have we reduced art to vision? And what does the hand do, now that we have machines and automated ways of making, editing and showing images? And what are images? You wouldn't leave the shop without paying for your latte, right? Buy us a latte ;-) This episode is the second audio/video essay of the season. It will take you on a trip to a sensory shift across times, blurring the boundaries between line, image, wall, surface, paper, and machines. Where the hand is, what it does and how it...

Visual artist Ed Atkins’s work is an existential theatre with avatars, CGI, motion capture technology, traditional figural drawing, Unreal Engine, filmed performance, experimental writing and much more. Architect and first-time guest on the podcast, Nick Taylor, and I, get lost, fall into the temporary exhibition through a faulty door, rush through the show to watch the timed film, return a second time because one of us went to Tate Modern first, discuss exhibition-visiting methods, critique wall texts, and reflect upon our own relat...